writing
Before knowing exactly what screenwriting was, I spent a good portion of my childhood sitting at the family computer writing “stories to be turned into movies”. In my mind, I had invented screenwriting.
I went on to study a concentration in screenwriting at the Newhouse School at Syracuse University. While peers studied to become investigative journalists or prepare for a career as a battlefield correspondent, I was academically groomed for a profession in riffing. Money well spent.
I continue to write for screens of all sizes; silver, LED, hell, I’ll go vertical for the right price. Influenced by the tones of Albert Brooks and Christopher Guest, I am interested most in characters that treat absurdity with complete sincerity.
Listed are summaries of my two most recent spec scripts, full drafts are available upon request.
For proof that I can actually write, read The Texan, a satirical Seinfeld spec set in the modern Texas comedy scene.
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Chasers
As new technology rapidly shifts a city’s infrastructure, a legacy injury law firm must tackle their new reality as a voice for the people.
sitcom (30 min)
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Interpolation
Struggling to write new music, a defunct pop-star lands a teaching gig at a conservatory where she schemes to steal her students’ songs.
sitcom (30 min)